Killer Klowns from Outer Space (1988)

Killer Klowns from Outer Space (1988)

Killer Klowns from Outer Space (1988)
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In 1988, the Chiodo Brothers (pronounced Kyoto) unleashed a labor of love that they hoped would blossom into a franchise. Mixing elements of comedy and horror, Killer Klowns from Outer Space wasn’t exactly a huge box office success, but it did go on to become a genuine cult phenom in some circles. Since the Cavalcade is dedicated to the very kind of film KKFOS epitomizes, we pulled it out for a screening.

Cotton candy cocoons, mutant popcorn demons, and acid cream pies; you can’t fault this one for false advertising. The Klowns…er..Clowns in this movie do, in fact, kill people; and yes, they are from outer space. If you’re looking for anything deeper than this, you’ve obviously come to the wrong place. It’s small-town America, frequently victimized by aliens and politicians alike, coming under fire yet again from extra-terrestrials… that happen to resemble clowns that want to eat your face.

With sets comprised mostly of painted cardboard and baloons, the film does what it can with its $2 million dollar budget. Being well-known effects technicians, the Chiodo brothers were able to get most of their visual effects work done for free as favors from friends. This makes for a film that, while obviously low-budget, still manages to pull off a few gags that are actually pretty nifty. The sad part however is that while the Klowns themselves are a interesting bunch of cheesy monsters, the human cast is…well… Let’s just say that we were pulling for the Klowns.

The filmakers obviously knew that they were making a ridiculous movie, and as such did everything they possibly could to spice it up. And while I’m sure that it’s possible to make a movie with alien clowns that’s either genuinely frightening or genuinely funny, KKFOS never really pulls off either. There was one genuinely creepy scene in a jail, and one laugh-out-loud funny moment involving the creative use of a baloon animal. Other than that, we were mostly quiet the entire picture, which actually feels much longer than it’s fairly short 84 minute runtime. So while I applaud the Chiodo brothers for bringing such an absurd vision to the screen, I can’t exactly recommend it for a Cavalcade feature.

This post was written by:

Micah P. - who has written 84 posts on Cavalcade of Schlock.

In between watching movies and writing about them, Micah also writes essays (for an eventual book) and IT documentation (for his employer). Outside of writing, he's a IT Specialist and an artist.

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  • Did we mention Christopher Titus is in this movie?
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